Sunday, February 1, 2009

"Foreigner" Review From Pioneer Press

'Foreigner' brings wacky comedy to Metropolis
January 29, 2009
By TOM WITOM Contributor

For comic relief, the late Larry Shue knew what he was doing when he wrote "The Foreigner."
Since its first production in 1983 in Milwaukee and subsequent Off-Broadway success, his play has gone on to tickle the funny bones of countless theater goers.

As mounted at Metropolis Performing Arts Centre, the laughs it inspires continue to come at a fast pace, propelled in large measure by the masterly performance of lead Craig Gustafson, who proves himself highly adept at physical humor. He plays Charlie Baker, a middle-aged Brit whose wife attributes her unfaithfulness to his totally dull personality.

Charlie has been brought by his friend, Froggy LeSueur (Dennis Brown), a military demolitions expert, as his guest on trip to a small fishing lodge in Atlanta on the belief that a change of scene would do wonders to brighten his life.

To ease Charlie's anxieties about how to interact in a social environment, Froggy passes him off as an associate from an exotic country where English is unknown. But instead of insulating Charlie, the ruse sets him up as the center of attention. Everyone from the innkeeper to fellow guests ends up sharing secrets from gossip to an unexpected pregnancy to a hidden dark side -- under the assumption that such confidences are falling on ears that won't register their import.
"No one can keep a secret like Charlie," says Catherine, a former debutante staying at the lodge. Little does she know.

It's a perfect framework for bringing Charlie out of his shell. In quick succession he is befriended by the lodge owner (Mickey Crocker), Catherine (Jes Bedwinek) and her slow-witted brother Ellard (Dominic Furry) who is eager to teach him English. He also encounters Catherine's conniving fiance David (Eric Martin) and his unsavory associate Owen (Michael B. Woods) and learns of their scheming to take control of the lodge.

Among the funniest scenes is one in which Charlie tries to "teach" his made-up language to the guests, including Owen, an unwilling pupil who becomes the butt of the farcical lesson.
In Act II, the action escalates -- and takes a peculiarly dark turn -- as certain characters are revealed as racists plotting to do bodily harm to Charlie and to commandeer ownership of the lodge. Dressed in Ku Klux Klan robes, they launch a frontal attack on the lodge. But this being a comedy, Charlie manages to thwart their plans -- albeit through a lame plan -- and save the day.

'THE FOREIGNER' Through Feb. 21 at Metropolis Performing Arts Centre, 111 W. Campbell St., Arlington Heights. $26-$42. (847) 577-2121 or www.MetropolisArts.com.

Friday, January 23, 2009

Haiku Review

Saw The Foreigner
I laughed until I teared up
...That's just the first act

Thursday, January 22, 2009

"Foreigner" Review From Trib Local

I just heard about this review tonight at the show:

"The Foreigner" at Metropolis - a Review
By: Edward Hanlon

“The Foreigner” by Larry Shue, one of the greatest stage comedies, is being performed by the Metropolis Performing Arts Centre in Arlington Heights. It concerns Charlie, a shy, unhappily married Englishman who is brought by his friend Sgt. Froggy LeSeuer (a Cockney demolitions expert) to a Georgia fishing lodge for a rest. To keep the pathologically shy Charlie from having to talk to strangers, Froggy states that Charlie must be left alone because he is a foreigner with no knowledge of English. Since no one thinks Charlie can understand what is being said, he is soon hearing much more than anyone would want to hear about their private lives. Evil plans are taking place and the only person who can stop them is a diffident Brit speaking a sort of Sid Caesar double-talk.

In the book “Comic Support: Second Bananas in the Movies”, there is this quote about Lou Jacobi: “A big Jacobi fan when Lou played in ‘Don't Drink the Water’ on Broadway, Woody Allen recalled, ‘Lou got every laugh and twenty more from his body language.’” In this production, Craig Gustafson as Charlie may not hit the “twenty more” quota, but the number of laughs he gets from a properly timed head turn is sizable. Gustafson’s Charlie is lovable, hapless, blindingly funny and a world class seminar in comedic acting.

This is not the first show I have seen at the Metropolis. It is the first show I have seen there where the lead actor was cheered by the audience at curtain call.

Michael B. Woods as the redneck bigot Owen Musser is as masterful in his timing as Gustafson. Owen is stupid, contemptuous and dangerous. Woods sails blithely between Owen’s facets and is equally believable when Owen is a knife-wielding danger as he is when Owen is a goof with bad attitude. The highlight of the show is watching Woods and Gustafson in the “bees come down” scene.


Jes Bedwinek is terrific as Catherine, the shrew who has to tame herself in the space of one monologue, going from irritating to sympathetic. Her only misstep is in openly going for sympathy with her opening line, which then not only fails to establish her as a Tasmanian Devil from her first words, but truncates the laugh that comes with it. Catherine is not woebegone at that point, she’s furious. Otherwise, Bedwinek is an adept actress with a winning smile and stage smarts.

Eric Martin’s David is handsome, smart and shifty. Martin does a stellar job with a very difficult character, one who seems to be the nicest guy on Earth but is in fact the villain (that’s not really a spoiler. It is established early on). Martin’s only quirk is in not being able to play laughs – he screams his lines out during huge laughs, as if resenting the audience’s intrusion and telling them to shut up. In a production with this many laughs, that is a major flaw. Once that is corrected, Martin’s performance will be a highly memorable and effective one.

An audience favorite, Dominic Furry as the slow Ellard shows great lovability and sharp timing. Froggy, frequently a thankless, expository role, is played with great charm and energy by Dennis Brown. Mickey Crocker as Betty is almost funny, but the timing isn’t quite there. One of the easiest laughs to get in the script is Betty constantly shouting at Charlie. It is obvious that Crocker just doesn’t get why it’s funny.

David Belew’s direction is adroit, moving the action along quickly and hilariously. His work deserves more accolades than it will probably get because he does what a good director should do – he makes it look like the actors are coming up with everything themselves.

The laughs in this show are huge and constantly flowing. Less frequent but still present is spontaneous applause at moments that delight the audience. You couldn’t ask for a better night out at the theatre than to see “The Foreigner” at the Metropolis.

“The Foreigner” plays at the Metropolis Performing Arts Centre, 111 W. Campbell Street, Arlington Heights, through February 21. Contact: 847-577-2121 or http://www.metropolisarts.com.

Monday, January 19, 2009

"The Foreigner" at Metropolis

This will be a "hit and run" review (I hope to have time to post more details later).

The Foreigner at Metropolis Performing Arts Center is not to be missed. Craig Gustafson truly gives a tour-de-force performance as Charlie that is not only completely enthralling but also a crash-course in effective character progression and comedy. The rest of the cast also does highly commendable work. Director David Belew should be commended for his tight yet thoughtful direction.

In a word--GO!!!

Welcome!

Hi! This forum has been transferred from Hostboard.com. They recently revamped their site in a way I didn't like, so I'm moving everything over to this blog. This is for Chicagoland residents writing about any theatrical topic or outlanders writing about Chicagoland theater topics. Review community or professional theater, talk about seeing stuff at Stratford or on Broadway, bitch about auditions, ask advice... whatever. If it's theater related, talk about it. If you go off-topic, become abusive or you're just looking for a fight, I'll boot you off so fast your head will spin. Play (reasonably) nice.

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If anyone has reviews of current shows, like The Foreigner at the Metropolis, The House of Blue Leaves at VTG, On Golden Pond at Big Noise & Ouroboros, Design for Living at First Folio -- anything in the area -- please go for it. Thanks!